Dumas, Alexandre
The romances of Alexandre Dumas Vol. 22 The Countess de Charny Works Of Alexandre Dumas: Vol. 22 The Countess de Charny Alexander Dumas - New York P.F. Collier and Son 1910 - 502p. - The romances of Alexandre Dumas 25 Volumes Volume XXII .
illustrated with photogravures and engravings from paintings by Maurice Leloir [and others]
v. 1-2. The Count of Monte Cristo.--
v. 3-4. The two Dianas.--
v. 5-6. The page of the Duke of Savoy.--
v. 7. Margaret de Valois.--
v. 8. Chicot the jester.--
v. 9. The forty-five guardsmen.--
v. 10. The three guardsmen.--
v. 11. Twenty years after.--
v. 12. The vicomte de Bragelonne.--
v. 13. Ten years later.--
v. 14. Louise de la Valliere.--
v. 15. The man in the iron mask.--
v. 16. The Chevalier d'Harmental.--
v. 17. The regent's daughter.--
v. 18. Joseph Balsamo.--
v. 19. The memoirs of a physician.--
v. 20. The queen's necklace.--
v. 21. Taking the Bastile.--
v. 22. The Countess de Charny.--
v. 23. The Chevalier de Maison Rouge.--
v. 24-25. The whites and the blues.
Excerpt from The Countess De Charny: Illustrated With Drawings on Wood by Eminent French and American Artists
The well-known manufacturing village of Sevres lies somewhere about half-way between Paris and Versailles. At the door of the inn adjoining the bridge a personage was standing who is to play an important part in our narrative.
He was forty-five or forty-eight years of age. He was dressed as a workman, that is to say, had velvet breeches with leather facings at the pockets, like those worn by locksmiths and blacksmiths. He wore gray stockings, and shoes with copper buckles, and had on a woolen cap, like that of a lancer cut in half. A perfect forest of gray hair escaped from his cap and hung over his eyes, which were large, open, and intelligent, and flashed so wildly and so quickly that it was impossible to define their color. The other features were a nose rather large than small, heavy lips, White teeth, and a bronzed complexion.
Though not large, his figure was admirable. He had delicate limbs, a small foot, and his hand would have seemed so, too, had it not the bronze tint of that of all who work in iron.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
--French literature.
843 Dum 14
The romances of Alexandre Dumas Vol. 22 The Countess de Charny Works Of Alexandre Dumas: Vol. 22 The Countess de Charny Alexander Dumas - New York P.F. Collier and Son 1910 - 502p. - The romances of Alexandre Dumas 25 Volumes Volume XXII .
illustrated with photogravures and engravings from paintings by Maurice Leloir [and others]
v. 1-2. The Count of Monte Cristo.--
v. 3-4. The two Dianas.--
v. 5-6. The page of the Duke of Savoy.--
v. 7. Margaret de Valois.--
v. 8. Chicot the jester.--
v. 9. The forty-five guardsmen.--
v. 10. The three guardsmen.--
v. 11. Twenty years after.--
v. 12. The vicomte de Bragelonne.--
v. 13. Ten years later.--
v. 14. Louise de la Valliere.--
v. 15. The man in the iron mask.--
v. 16. The Chevalier d'Harmental.--
v. 17. The regent's daughter.--
v. 18. Joseph Balsamo.--
v. 19. The memoirs of a physician.--
v. 20. The queen's necklace.--
v. 21. Taking the Bastile.--
v. 22. The Countess de Charny.--
v. 23. The Chevalier de Maison Rouge.--
v. 24-25. The whites and the blues.
Excerpt from The Countess De Charny: Illustrated With Drawings on Wood by Eminent French and American Artists
The well-known manufacturing village of Sevres lies somewhere about half-way between Paris and Versailles. At the door of the inn adjoining the bridge a personage was standing who is to play an important part in our narrative.
He was forty-five or forty-eight years of age. He was dressed as a workman, that is to say, had velvet breeches with leather facings at the pockets, like those worn by locksmiths and blacksmiths. He wore gray stockings, and shoes with copper buckles, and had on a woolen cap, like that of a lancer cut in half. A perfect forest of gray hair escaped from his cap and hung over his eyes, which were large, open, and intelligent, and flashed so wildly and so quickly that it was impossible to define their color. The other features were a nose rather large than small, heavy lips, White teeth, and a bronzed complexion.
Though not large, his figure was admirable. He had delicate limbs, a small foot, and his hand would have seemed so, too, had it not the bronze tint of that of all who work in iron.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
--French literature.
843 Dum 14