| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2015957946 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781455539741 |
| Qualifying information |
(hardcover) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
1455539740 |
| Qualifying information |
(hardcover) |
| 024 8# - OTHER STANDARD IDENTIFIER |
|---|
| Standard number or code |
99972742031 |
| 029 1# - (OCLC) |
|---|
| OCLC library identifier |
AU@ |
| System control number |
000057258726 |
| 029 1# - (OCLC) |
|---|
| OCLC library identifier |
CHBIS |
| System control number |
010629487 |
| 029 1# - (OCLC) |
|---|
| OCLC library identifier |
CHVBK |
| System control number |
363840516 |
| 029 1# - (OCLC) |
|---|
| OCLC library identifier |
NZ1 |
| System control number |
16312021 |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)920451537 |
| 042 ## - AUTHENTICATION CODE |
|---|
| Authentication code |
lccopycat |
| 043 ## - GEOGRAPHIC AREA CODE |
|---|
| Geographic area code |
n-us--- |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
AJMA |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
ML50.M6736 |
| Item number |
H3 2016 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
782.140268 Mir |
| Item number |
13 |
| 092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
|---|
| Classification number |
782.140268 Mir |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Miranda, Lin-Manuel, |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Hamilton : |
| Remainder of title |
the revolution : being the complete libretto of the Broadway musical, with a true account of its creation, and concise remarks on hip-hop, the power of stories, and the new America / |
| Statement of responsibility, etc |
by Lin-Manuel Miranda and Jeremy McCarter. |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
First edition. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE STATEMENTS |
|---|
| Place of production, publication, distribution, manufacture |
New York, NY : |
| Name of producer, publisher, distributor, manufacturer |
Grand Central Publishing : |
| -- |
Melcher Media, |
| Date of production, publication, distribution, manufacture |
2016. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
287 pages : |
| Other physical details |
illustrations (chiefly color) ; |
| Dimensions |
27 cm |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Includes libretto and photographs from the musical, as well as an account of the creation of the musical, from the composition of the first song of the show in 2009 to the opening night in 2015. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
On the origins of revolution, both national & musical, with reference to opening numbers & White House raps -- In which Tommy Kail is introduced, and his adventures with Lin surveyed -- Giving the history of Ron Chernow, along with remarks on who may play a founding father -- In which the character of New York City is considered in its musical and scenic aspects, by reference to David Korins and a curious episode of historical vertigo -- Stakes is high; or, what happened at Lincoln Center and what came after, including lunch with Jeffrey Seller -- On the orchestrating techniques of Alex Lacamoire, with lively appearances by Van Halen, Elmo, and an actual Beatle -- On the character of George Washington and the character of Chris Jackson -- Concerning the lady and the tramp, in olden days and our own, with reference to "Helpless" and many songs that feature Ja Rule -- On the perfect union of actor and role, with allusion to Renee Elise Goldsberry -- The same subject continued, with allusion to Leslie Odom, Jr., plus remarks on the virtues and merits of union -- Wherein mobb deep is sampled, and the immortal Biggie Smalls is revived -- Of Oskar Eustis, his politics, his eventful career, his thoughts on verse drama, and his stewardship of The Public Theater, with a word about The Pharcyde -- On Phillipa Soo and the trouble with goodness -- On Paul Tazewell and the fashion of revolution -- By which it will appear that good history makes good drama, and in which Sebastian Miranda makes his debut -- On "Non-Stop," both the song and the way of life, as manifest by Andy Blankenbuehler and The Public Theater's props department. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
In New York you can be a new man, or, the story of Oak and Daveed -- An account of rapping for the children, who will one day rap for themselves -- Did they or didn't they? Or, some discourse on affairs -- In which advantages are derived from listening to the Broadway old masters and Jasmine Cephas Jones -- On being in "The Room Where It Happens" with the cast of A Chorus Line, plus a brief account of Nevin Steinberg bringing boom-bap to Broadway with speakers the size of refrigerators -- A picture of the recording studio, featuring learned comments by Questlove and a thrown shoe -- On the origin and persistence of our national shame -- Of Jonathan Groff, his royal character, his notable career, his dressing room decor & C. -- On killing your darlings, with reference to "The Adams Administration," the seductions of Ben Franklin, and songs on the cutting-room floor -- In which the hero blows up his spot, with the assistance of Howell Binkley's lights and other forms of ingenious stagecraft -- Giving an account of a hurricane, with a notable appearance by President Obama, and the remarkable rise of Anthony Ramos -- A grieving chapter: on losses beyond words -- Containing a dialogue on ambition, and some topical comments, from David Brooks and Christopher Hayes -- Further thoughts on ambition, as it pertains to the playwright and the enigmatic Burr -- How the duel was fought, and rewritten, and fought again, as the clock ran out -- What is a legacy? Or, a sketch of opening night, and what came after, and what might come next. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
Offers a behind-the-scenes view of Hamilton the musical, detailing the many dramatic episodes in Alexander Hamilton's life. |
| 590 ## - LOCAL NOTE (RLIN) |
|---|
| Local note |
105626 |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Hamilton, Alexander, |
| Dates associated with a name |
1757-1804 |
| Form subdivision |
Drama. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Miranda, Lin-Manuel, |
| Dates associated with a name |
1980- |
| Title of a work |
Hamilton. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Musicals |
| Form subdivision |
Librettos. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Musicals |
| Geographic subdivision |
United States |
| General subdivision |
History and criticism. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Performing Arts |
| General subdivision |
Theater |
| -- |
Broadway & Musicals. |
| 651 #7 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
|---|
| Geographic name |
United States |
| General subdivision |
History |
| Chronological subdivision |
Revolution, 1775-1783. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
McCarter, Jeremy, |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
700 - 799 |