| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2014043508 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780812997873 |
| Qualifying information |
(hardcover) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0812997875 |
| Qualifying information |
(hardcover) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Cancelled/invalid ISBN |
9780812997880 |
| Qualifying information |
(ebook) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0812997883 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780812997880 |
| 029 1# - (OCLC) |
|---|
| OCLC library identifier |
AU@ |
| System control number |
000053856465 |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)884298105 |
| 042 ## - AUTHENTICATION CODE |
|---|
| Authentication code |
pcc |
| 043 ## - GEOGRAPHIC AREA CODE |
|---|
| Geographic area code |
n-us--- |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
AJMA |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
PS3551.N464 |
| Item number |
A6 2015b |
| 055 #3 - CLASSIFICATION NUMBERS ASSIGNED IN CANADA |
|---|
| Classification number |
PS3551.N576 |
| Item number |
A6 2015 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
811.54 Ang |
| Item number |
14 |
| 092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
|---|
| Classification number |
811.54 Ang |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Angelou, Maya, |
| 245 14 - TITLE STATEMENT |
|---|
| Title |
The complete poetry |
| Statement of responsibility, etc |
Maya Angelou. |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
First edition. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
New York : |
| Name of publisher, distributor, etc |
Random House, |
| Date of publication, distribution, etc |
2015. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xvii, 308 pages ; |
| Dimensions |
25 cm |
| Type of unit |
Hardback book. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Title |
Just give me a cool drink of water 'fore I diiie -- |
| -- |
pt. I. Where love is a scream of anguish -- |
| -- |
They went home -- |
| -- |
The gamut -- |
| -- |
A Zorro man -- |
| -- |
To a man -- |
| -- |
Late October -- |
| -- |
No loser, no weeper -- |
| -- |
When you come to me -- |
| -- |
Remembering -- |
| -- |
In a time -- |
| -- |
Tears -- |
| -- |
The detached -- |
| -- |
To a husband -- |
| -- |
Accident -- |
| -- |
Let's majeste -- |
| -- |
After -- |
| -- |
The mothering blackness -- |
| -- |
On diverse deviations -- |
| -- |
Mourning grace -- |
| -- |
How can I lie to you -- |
| -- |
Sounds like pearls -- |
| -- |
pt. II. Just before the world ends -- |
| -- |
When I think about myself -- |
| -- |
On a bright day, next week -- |
| -- |
Letter to an aspiring junkie -- |
| -- |
Miss Scarlett, Mr. Rhett and other latter-day saints -- |
| -- |
Times-Square-shoeshine-composition -- |
| -- |
Faces -- |
| -- |
To a freedom fighter -- |
| -- |
Riot : 60's -- |
| -- |
We saw beyond our seeming -- |
| -- |
Black ode -- |
| -- |
No no no no --- My guilt -- |
| -- |
The calling of names -- |
| -- |
On working White liberals -- |
| -- |
Sepia fashion show -- |
| -- |
The thirteens |
| Statement of responsibility |
(Black) -- |
| Title |
The thirteens |
| Statement of responsibility |
(White) -- |
| Title |
Harlem hopscotch. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Title |
Oh pray my wings are gonna fit me well -- |
| -- |
pt. I. Pickin em up and layin em down -- |
| -- |
Here's to adhering -- |
| -- |
On reaching forty -- |
| -- |
The telephone -- |
| -- |
pt. II. Passing time -- |
| -- |
Now long ago -- |
| -- |
Greyday -- |
| -- |
Poor girl -- |
| -- |
Come, and be my baby -- |
| -- |
Senses of insecurity -- |
| -- |
Alone -- |
| -- |
Communication I -- |
| -- |
Communication II -- |
| -- |
Wonder -- |
| -- |
A conceit -- |
| -- |
pt. III. Request -- |
| -- |
Africa -- |
| -- |
America -- |
| -- |
For us, who dare not dare -- |
| -- |
Lord, in my heart -- |
| -- |
Artful pose -- |
| -- |
pt. IV. The couple -- |
| -- |
The pusher -- |
| -- |
Chicken-Licken -- |
| -- |
pt. V.I almost remember -- |
| -- |
Prisoner -- |
| -- |
Woman me -- |
| -- |
John J. -- |
| -- |
Southeast Arkanasia -- |
| -- |
Song for the old ones -- |
| -- |
Child dead in old seas -- |
| -- |
Take time out -- |
| -- |
Elegy -- |
| -- |
Reverses -- |
| -- |
Little girl speakings -- |
| -- |
This winter day. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Title |
And still I rise -- |
| -- |
pt. I. Touch me, life, not softly -- |
| -- |
A kind of love, some say -- |
| -- |
Country lover -- |
| -- |
Remembrance -- |
| -- |
Where we belong, a duet -- |
| -- |
Phenomenal woman -- |
| -- |
Men -- |
| -- |
Refusal -- |
| -- |
Just for a time -- |
| -- |
pt. II. Traveling -- |
| -- |
Junkie monkey reel -- |
| -- |
The lesson -- |
| -- |
California prodigal -- |
| -- |
My Arkansas -- |
| -- |
Through the inner city to the suburbs -- |
| -- |
Lady luncheon club -- |
| -- |
Momma welfare roll -- |
| -- |
The singer will not sing -- |
| -- |
Willie -- |
| -- |
To beat the child was bad enough -- |
| -- |
Woman work -- |
| -- |
One more round -- |
| -- |
The traveler -- |
| -- |
Kin -- |
| -- |
The memory -- |
| -- |
pt. III. And still I rise -- |
| -- |
Still I rise -- |
| -- |
Ain't that bad? -- |
| -- |
Life doesn't frighten me -- |
| -- |
Bump d'bump -- |
| -- |
On aging -- |
| -- |
In retrospect -- |
| -- |
Just like Job -- |
| -- |
Call letters : Mrs. V.B. -- |
| -- |
Thank you, Lord. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Title |
Shaker, why don't you sing? -- |
| -- |
Awaking in New York -- |
| -- |
A good woman feeling bad -- |
| -- |
The health-food diner -- |
| -- |
A Georgia song -- |
| -- |
Unmeasured tempo -- |
| -- |
Amoebaean for Daddy -- |
| -- |
Recovery -- |
| -- |
Impeccable conception -- |
| -- |
Caged bird -- |
| -- |
Avec merci, Mother -- |
| -- |
Arrival -- |
| -- |
A plagued journey -- |
| -- |
Starvation -- |
| -- |
Contemporary announcement -- |
| -- |
Prelude to a parting -- |
| -- |
Martial choreograph -- |
| -- |
To a suitor -- |
| -- |
Insomniac -- |
| -- |
Weekend glory -- |
| -- |
The lie -- |
| -- |
Prescience -- |
| -- |
Family affairs -- |
| -- |
Changes -- |
| -- |
Brief innocence -- |
| -- |
The last decision -- |
| -- |
Slave coffee -- |
| -- |
Shaker, why don't you sing? -- |
| -- |
My life has turned to blue. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Title |
I shall not be moved -- |
| -- |
Worker's song -- |
| -- |
Human family -- |
| -- |
Man bigot -- |
| -- |
Old folks laugh -- |
| -- |
Is love -- |
| -- |
Forgive -- |
| -- |
Insignificant -- |
| -- |
Love letter -- |
| -- |
Equality -- |
| -- |
Coleridge Jackson -- |
| -- |
Why are they happy people? -- |
| -- |
Son to mother -- |
| -- |
Known to Eve and me -- |
| -- |
These yet to be United States -- |
| -- |
Me and my work -- |
| -- |
Changing -- |
| -- |
Born that way -- |
| -- |
Televised -- |
| -- |
Nothing much -- |
| -- |
Glory falls -- |
| -- |
London -- |
| -- |
Savior -- |
| -- |
Many and more -- |
| -- |
The new house -- |
| -- |
Our grandmothers -- |
| -- |
Preacher, don't send me -- |
| -- |
Fightin' was natural -- |
| -- |
Loss of love -- |
| -- |
Seven women's blessed assurance -- |
| -- |
In my Missouri -- |
| -- |
They ask why -- |
| -- |
When great trees fall. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Title |
On the pulse of morning -- |
| -- |
Celebrations -- |
| -- |
A brave and startling truth -- |
| -- |
Continue -- |
| -- |
Sons and daughters -- |
| -- |
A Black woman speaks to Black manhood -- |
| -- |
Amazing peace -- |
| -- |
Mother : a cradle to hold me -- |
| -- |
In and out of time -- |
| -- |
Ben Lear's bar mitzvah -- |
| -- |
Vigil -- |
| -- |
Prayer -- |
| -- |
Amazement awaits -- |
| -- |
His day is done. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
Throughout her illustrious career in letters, Maya Angelou gifted, healed, and inspired the world with her words. Now the beauty and spirit of those words live on in this new and complete collection of poetry that reflects and honors the writer's remarkable life. |
| 590 ## - LOCAL NOTE (RLIN) |
|---|
| Local note |
110272 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
African Americans |
| Form subdivision |
Poetry. |
| 650 #1 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Poetry. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
800 - 899 |