010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2007936654 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
1934491055 |
Qualifying information |
(hardback) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781934491058 |
Qualifying information |
(hardback) |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)1034981255 |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
AJMA |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
N6537 .T49 A4 2007 |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
759.13 Men |
Item number |
13 |
092 ## - LOCALLY ASSIGNED DEWEY CALL NUMBER (OCLC) |
Classification number |
759.13 Men |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Templeton, Ann |
245 10 - TITLE STATEMENT |
Title |
Color and beyond |
Statement of responsibility, etc |
Eugene L. Mendonsa Ph. D ; photography by Ann Templeton |
246 3# - VARYING FORM OF TITLE |
Title proper/short title |
Color and beyond |
Remainder of title |
Ann Templeton |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Place of publication, distribution, etc |
Albuquerque, NM |
Name of publisher, distributor, etc |
Fresco Fine Art Publications |
Date of publication, distribution, etc |
2007 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xiii, 161 pages |
Other physical details |
illustrations (chiefly color) ; |
Dimensions |
24 cm |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references and index. |
505 00 - FORMATTED CONTENTS NOTE |
Title |
Introduction -- |
-- |
Why paint? -- |
-- |
How many paintings till I'm good? -- |
-- |
Art and the world around us -- |
-- |
Inspiration and the moment -- |
-- |
Right and left brain thinking -- |
-- |
Some painting terminology -- |
-- |
Four painting styles: abstraction, non-objective, abstract expressionism, impressionism -- |
-- |
Studying with art teachers -- |
-- |
Studying with art teachers -- |
-- |
The concept of the "three bears" in painting -- |
-- |
Are there rules in painting? -- |
-- |
Color -- |
-- |
Some definitions -- |
-- |
The three properties of color -- |
-- |
The three primary colors and gray -- |
-- |
Pigments and color composition -- |
-- |
Relationships to think about -- |
-- |
Color and temperature -- |
-- |
Value: dark and light -- |
-- |
Line -- |
-- |
Shape -- |
-- |
Texture -- |
-- |
A note about black -- |
-- |
Transparent vs. opaque -- |
-- |
half-colors -- |
-- |
An explosion of color -- |
-- |
Recession and aggression in color -- |
-- |
Color harmony -- |
-- |
Color and design -- |
-- |
Playing light -- |
-- |
Pushing color -- |
-- |
Value -- |
-- |
What is value? -- |
-- |
Value and key -- |
-- |
Different approaches to value -- |
-- |
With which value should I begin? -- |
-- |
holding form with value -- |
-- |
Half tones -- |
-- |
Abstraction & non-objective painting -- |
-- |
Abstract, Non-Objective, and Representational art -- |
-- |
The emotion of painting -- |
-- |
Alla Prima and abstraction -- |
-- |
Seeking surprise -- |
-- |
Finding a painting style -- |
-- |
Techniques of simplification -- |
-- |
The impact of drawing on abstraction -- |
-- |
Preparing to paint -- |
-- |
Selecting easels -- |
-- |
Selecting brushes -- |
-- |
Selecting canvases -- |
-- |
Selecting your medium -- |
-- |
Laying out the palette -- |
-- |
Mixing color -- |
-- |
The use of turpentine -- |
-- |
Protecting paint on the palette -- |
-- |
Cleaning brushes -- |
-- |
The painting process -- |
-- |
Your conceptual toolbox -- |
-- |
What should I paint? -- |
-- |
Ten things to think about before painting -- |
-- |
Doing the lay-in -- |
-- |
Thin to thick -- |
-- |
Scumbling -- |
-- |
Glazing -- |
-- |
When is the painting finished? -- |
-- |
Applying the signature -- |
-- |
Varnishing the finished product -- |
-- |
Framing -- |
-- |
Conclusions -- |
-- |
The business of art -- |
-- |
Competitions, awards, and prizes -- |
-- |
Art and spirituality -- |
-- |
Keep moving. |
520 ## - SUMMARY, ETC. |
Summary, etc |
Ann Templeton is proud to announce her new book, Color and Beyond. Unlike her first book, The Art of Ann Templeton: A Step Beyond, which is a collector's item; Color and Beyond is a how-to-paint book, based on her forty-year career as an acclaimed artist and teacher. However, it is also a "step beyond," going deeper into the art of color than is possible in her workshop lectures, organizing her approach to painting an orderly set of concepts and techniques. -- |
590 ## - LOCAL NOTE (RLIN) |
Local note |
111560 |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Templeton, Ann |
Form subdivision |
Catalogs. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Painting, Abstract |
Form subdivision |
Catalogs. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Painting |
General subdivision |
Technique. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Abstract expressionism |
Form subdivision |
Catalogs. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Art, Modern |
Form subdivision |
Catalogs. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Women painters |
Form subdivision |
Catalogs. |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Abstract expressionism. |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Color. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Mendonsa, Eugene L. |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
|
Koha item type |
700 - 799 |